[MSN] Bob Hecht: Fragments Of An Antiquities Conspiracy? (By Suzan Mazur)

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Bob Hecht: Fragments Of An Antiquities Conspiracy?
Friday, 28 December 2007, 1:59 pm
Opinion: Suzan Mazur
Bob Hecht: Fragments Of An Antiquities Conspiracy?

By Suzan Mazur

Photos and links:
http://www.scoop.co.nz/stories/print.html?path=HL0712/S00321.htm 

Hugh Eakin's recent "Treasure Hunt" story in The New Yorker profiling Marion
True, the former Getty curator on trial in Rome for conspiracy to traffic in
ancient art, devotes a column to True's 1991 paper on the destruction of
ancient cultural sites, giving the impression that the Italian government is
to blame for looting half of that country's Greek and Roman history because
it may have neglected its sites - Eakin doesn't note that the entire country
is an ancient site. Eakin also suggests that the Italians lack seriousness
in prosecuting the two-year old antiquities trial in which dealers Bob Hecht
and Giacomo Medici are named as co-conspirators - even though Medici's
already been convicted, sentenced to ten years and is appealing the court's
decision. Moreover, Eakin reduces Italy's efforts in seeking the return of
its cultural patrimony to a sports rivalry between the art carabinieri and
ministry of culture - he doesn't illuminate that from the outset one faction
fought to get the loot back from American museums with no strings attached,
i.e., it did not want to cave in to the Metropolitan Museum of Art's demands
for loans.

What New York Times reporter Hugh Eakin particularly fails to do is reveal
names, details and sources of information in his 14-page New Yorker cover
story -- even of the name of the editor of Connoisseur? Or give further
insight into the actual looting and trafficking that's taken place. And
nowhere is there mention of the role played for decades by the NYT as an
enabler of the trafficking, which Met Ancient Near East expert Oscar
Muscarella first exposed years ago. [LINK Antiquities Whistleblower Oscar
White Muscarella]

The above fragments, for example - which may serve as clues to the mindset
of those charged in the Rome trial - were sold by Hecht in a 1988 Atlantic
Antiquities Greek and Etruscan Archaic art show in New York that was highly
publicized by the NYT. Times reporter Rita Reif barked dollar amounts in her
pre-sale coverage, previously discussed on these pages [LINK Add NYT To Bob
Hecht Antiquities Ring Organigram? ] - even of the exhibition's fragments,
noting a starting price of $500. Said Reif:

    "Some of the richest detail is on fragments of painted vessels. Among
the most compelling are. . .three headless satyrs. . . One of the smallest
fragments in the show, less than two inches high, shows a tough-faced
Thracian boxer scarred near the eye and jaw, with a hook nose and protruding
chin, and with both hands visible - his right hand already wrapped while he
draws the thong taut on his left."

However the fragments that Reif described above in the NYT, and that are
pictured at the top of this story, were never assigned a price on Hecht's
list at the time of the actual sale because by then they were already SOLD
and disappeared into the market for an undisclosed amount.

Hecht pal and long-time Museum of Fine Arts curator of classical art,
Cornelius Vermeule also promoted the sale, writing an introduction to
Hecht's catalog. Vermeule was one of Marion True's early mentors and first
introduced True to Bob Hecht, which Eakin surprisingly does mention in his
article.

The boxer fragment Reif refers to (above, left) is from a red figured wine
cup, 500 bc, proto-Panaitian painter. It Indeed depicts the fierce profile
of a boxer wrapping his hand. He bears a nasty scar under his eye and gash
under his chin. And knowing what we now know about Bob Hecht's history of
thuggery, the fragment appears to be somewhat autobiographical. [LINK "Bully
Bob" Hecht And The Euphronios Questions]

Hecht's affection for and exhibition of the second piece on the right, three
"ithyphallic" silenes (satyrs) reveling, painted by Sophilos, 570 bc, may be
Hecht's personal statement about the conspiracy itself.

One of the silenes carries a drinking cup, a karchesion. Vermeule describes
the procession as "woolly" and "charming" with "nymphs on their minds". Or
perhaps a Euphronios vase or two. . .

*************

Suzan Mazur's stories on art and antiquities have been published in The
Economist, Financial Times, Connoisseur, Archaeology (cover) and Newsday.
Some of her other reports have appeared on PBS, CBC and MBC. She has been a
guest on McLaughlin, Charlie Rose and various Fox television news programs.
Email: sznmzr at aol.com

Photos and links:
http://www.scoop.co.nz/stories/print.html?path=HL0712/S00321.htm